Segora Celebrates with Maggie Butt

‘No,’ I said to myself. ‘No, no, no, no, no!’

(Why do we repeat the word ‘no’ when we suspect we’re going to say ‘yes’?)

I didn’t actually say anything to Gordon & Jocelyn Simms. Not immediately.

An offer of a new experience always has this effect on me. I don’t know about you, but my kneejerk reaction is to refuse.

‘No, no, no, no, no,’ said my mind.

The thing is, since starting my new writing career at the age of forty-*coughs*, I’ve been faced with so many new experiences. And it’s scary. It’s much scarier than the first time I noticed this kneejerk reaction: then, aged 20 and shocked by my discovery, I vowed to say ‘yes’ to every offer I received that year.

It was the year of my nocturnal climb up the outside wall of a campus building. The year I went out dressed in a dustbin bag (and stilettos); the year I agreed to sell screwed-up paper for people to throw at performers on stage.

But I’m not 20 anymore. I’m wise now. So I said ‘yes’ to Gordon and Jocelyn. I agreed to interview their Segora poetry competition judge in front of an audience. It can’t be worse than that campus building – or the dustbin bag – can it?

I said ‘yes’ because, actually, I have loads of questions I’d like to ask poet-novelist-journalist-creative writing teacher-TV documentary director-royal literary fund fellow Maggie Butt.

(Adjectives in front of your name are just as impressive as letters after it, I find, with the added advantage of conveying immediate understanding).

Maggie Butt sounds like a fascinating person, and if you have loads of questions you’d like to ask her too, then read on.

*flashy lights* Maggie Butt is coming to France! *more flashy lights*

Maggie Butt is leading a writing workshop!

I’m going to her workshop!

You can come to her workshop!

We can all learn how to be poet-novelist-journalist-creative writing teacher-TV documentary director-royal literary fund fellows!

I know, I know – but occasions like this are rare in our part of France, so of course I’m excited about it. Of course I’m overworking those exclamation marks.

I suppose I’d better calm down and give you the details. Let’s do it in table format, because that always looks official and efficient (ooh, those two words sound nice together).

Event Segora Celebration Weekend (celebrating the competition winners)
Date Saturday 14th and Sunday 15thSeptember 2019
Venue Salle de Cloître, St.André-sur-Sèvre, 79380 France
Organisers the lovely (oops, that’s not very official) Gordon & Jocelyn Simms
Writing Workshop Sat 14th, 10-12, cost 40€ including lunch. Reservation necessary.
Writer Interview Sun 15th, 10-11, free: Q&A and readings with Maggie Butt (I’ll do my best)
Other stuff Book launch, readings, rehearsed reading of winning play, bookshop

OK, I’m fed up with table talk. You’ll find the details on the Events page of the Segora website, even though they’re not in efficial and officient table format.

In Maggie’s writing workshop, entitled ‘The View from Here’, we’ll use memory, pictures and imagination to explore the relationship between character and location. It’s suitable for new and professional writers of poetry, fiction, non-fiction and drama.

That’s you, isn’t it?

And if you’re intrigued by the book launch (as you should be), it’s Jocelyn’s new poetry collection, Tickling the Dragon, from which she’ll be reading extracts. You can find out more on the publisher’s website here.

Finally, because you’re as enthusiastic about the Segora Celebration Weekend as I am, I’ll let you come to the restaurant with Maggie & me. Ask Jocelyn about booking a place at Le Cheval Blanc, La Forêt-sur-Sèvre on the Saturday evening at 7:30pm.

(I must try to be serious and studious, unlike at last year’s meal).

By the way, the winners of the Segora International writing competitions – those writers we’ll be celebrating along with Maggie Butt’s presence – will be announced on the Segora website in August. Hopefully we’ll get to meet some of them too.

Now all I’ve got to do is remember those burning questions I had for Maggie. Oh, and buy a new frock. If I don’t find one, I suppose there’s always the roll of dustbin liners.

See you soon at Segora on Saturday 14thSeptember.

(just practising alliteration, ready for the workshop… Shame the date wasn’t the seventh.)


Smashing Keys

Yes, I am still here. I’ve been hiding from my blog since June. Every now and then it whispers that it would really like a little dusting. Something to eat. Or drink. A spot of attention, please…

I could say I’ve been busy. That I’ve been editing my next novel. Preparing a presentation. Researching. Learning at a workshop. Starting my new novel. Giving a workshop. Procrastinating.

Or I could just say sorry and get on with it.

So here’s a quick post about the weekend I just spent with a lovely group of talented writers.

The writers group ‘Keysmash’ invited me to give a 2-day workshop in the Gers (France) on 1 & 2 December.

This was all thanks to Ginster, who I met at the Parisot literary festival last year.

I was warmly welcomed by Rosie, along with her dogs and horses, and then we spent two days working hard with eight members of her writing group. Unfortunately, Ginster was ill and couldn’t attend.

Each of the group members sent me a piece of writing to critique beforehand, and we established their needs based on this work. I planned three separate workshops: Focus on Prose, Starting Stories and Building Scenes. I also gave each of them individual feedback on their finished stories.

I can’t believe how incredibly hard they all worked! Not only did they write some fab prose, they also were willing to rip everything apart and play by the ‘new’ rules I introduced. They even laughed at my jokes.

Keysmash is an inspiring example of how supportive a writing group can be – and not only in terms of their writing.

I hope everyone had fun and found something useful to take away from their weekend. I certainly did.


A Date with Kate

Today’s question is: do writing workshops qualify as procrastination?

You have 4 hours to answer. Sorry, I’m in exam mode (and I recently discovered the strikeout button on WordPress. It’s even more fun than brackets, which were my previous faves).

Yes, I’m in exam mode. Not for myself, but for my daughter: someone has to think about the Big Bac. All she seems to say is, “T’inquiète,” (don’t worry) as she heads off to another overnight party.

Meanwhile, I’m studying. Which is interesting, actually. I’m studying what I’m going to be teaching / have been teaching this year in the various workshops I’ve been invited to lead.

“What? Shouldn’t you know it all if you’re teaching it?”

(Someone always asks an awkward question)

Early on in my part-time work as an English TEFL teacher, I realised that teaching is all about learning. At work, I know what the correct answer is. But as a teacher you have to explain why it’s the correct answer. So I spent my early teaching years studying the rules of English while simultaneously teaching it – and repeating, “I’m not sure why that’s the right answer, but I’ll find out and get back to you.”

Writing is similar: you read a story and know it is good. If you’ve got oodles of raw talent, you may even write a good story. But why does a particular story work? What techniques has the writer used? That’s where writing craft guides, workshops and courses can help.

I spent years poring over writing books and experimenting with techniques, often with my amazing writing group of the early 2000s, Lumineuse. For the last few years I’ve been concentrating on writing novels, so it wasn’t until I was asked to lead a workshop last year that I returned to my creative writing guides.

Once I opened them, the memories surged back. I rediscovered concepts I’d struggled to understand before. This time, with ten more years’ writing experience, they made much more sense. I could think of my own examples to the models they presented.

I bought a couple more guides – just in case a modern technique had been discovered.

I read them. (It hadn’t).

I re-read my old guides. I took notes. I put on my wetsuit and surfed writing blogs such as Emma Darwin’s excellent This Itch of Writing.

Writing? Ha, who needs to make the effort of writing when you can spend your time learning about how you should be writing instead? It’s much less painful. More inspiring. And, yes, it makes sense. If you read enough about the craft, surely you’ll absorb the information and the literary bestseller will flow from your keyboard?

Procrastination warning bells jangled.

I sighed, closed my guides and went back to the blank screen and the infinite possibilities of the keyboard.

Then, a few weeks ago, my date with Kate appeared on the “God, it’s in 3 weeks’ time” horizon.

Kate is on the far left. You might also spot Kate Mosse, Isabel Ashdown, Jacqui Lofthouse, Elizabeth Haynes, Alison Morton and Christine Colette.

Kate Rose – co-founder of the Charroux literary festival, workshop leader, Bookish Lunches organiser and poet extraordinaire – had invited me to do a session as part of her Meraki writing business. She holds monthly writing events so that us poor English writers in France aren’t so isolated.

I’d chosen to talk about how to take a character and write a story based on him/her. I wanted to explore this because I regularly see beautiful writing and great characters, but it’s much more unusual to see a story that works well.

I looked at my pile of writing guides and my pages of notes.

I looked at the document on my computer: the final scene of my current novel…

A week later, I guzzled a glass of champagne to celebrate the end of my first draft, and set to work preparing the workshop ‘From Character to Story’.

When I go to a workshop, I like the leader to present some kind of theory, and then for us to do exercises based on that theory. So this is what I planned.

I soon discovered that preparing a workshop is like editing a novel draft. I had to cut, cut, cut. There was so much I could do, but I wanted the participants to take away a concept that would make them think about how to approach a story.

My final plan was ambitious. I know from giving talks about writing and from my English teaching lessons that you always need more time than you think. I was in danger of rushing through the concepts. I would have to be strict with timing. I would have to take a whip and punish anyone who asked too many questions.

(I love strikethrough)

The day of the workshop arrived.

I wasn’t ill. My car started. No aliens whisked me away to another planet during my journey to Champagne-Mouton.

There was no escape.

I switched from writer to teacher mode, and the workshop began.

It was fun to meet everyone, hear about their writing projects and listen to their story scenes. Many thanks to Kate, who was a brilliant host and kept participants supplied with drinks and a delicious lunch – as well as following the workshop. The attendees were generous with their feedback, so I hope everyone learnt something useful.

Oh, and in answer to the exam question: workshops are not only a great place to learn about writing, they’re also an ideal opportunity to chat with other writers and shape your work. That’s certainly not procrastination, is it?


Kate Rose
Kate is a writer, poet and creative writing coach. She lives and works in South West France. She is co founder of the bi-annual Charroux Literary Festival, attracting international bestselling authors and poets. She has been published in a range of magazines and anthologies. Through her business, Meraki, she offers one to one coaching and writers workshops.

She would love to hear from you and can be contacted at:

katerosewriting@gmail   @katerosewriting

Judge Harriet on the Segora Case

The Waffly Bit (feel free to skip this part)

Who is guilty?

What will my verdict be?

How come I was chosen to wear the wig?

(Who wants to give me Photoshop lessons?)

Law isn’t a subject that attracts me, so I never thought I would one day be Judge Harriet. The idea of holding someone’s life in my hands and of having to stand up in front of people and talk makes me feel sick.

Oh, wait a minute… something about both those activities sounds familiar (though the lives are fictional).

Anyway, I’m here today to talk to you about the controversial Segora case, which will be judged in June.

When Segora organisers Jocelyn and Gordon Simms invited me to be the judge for the short story section of this case, I hesitated. Should stories compete with each other? Could I make a decision? Would the wig suit me?

Then I came up with a cunning plan: I would enter a story and judge it the winner. I quickly accepted their invitation.

Unfortunately, they somehow predicted my cunning plan and nipped it in the bud.

(Had I used clichés like that in my story, I definitely wouldn’t have been able to pull the wool over their eyes and declare myself the winner).

Seriously, Gordon & Jocelyn probably invited me to judge because they’d run out of options my story Quark Soup was one of the winners in 2016, and Shingle and Sand was Commended in 2015. And I accepted because I love reading and analysing fiction. I’m also a big fan of the Simms, who have brightened English literary life in France with their bilingual literary festivals and workshops.

I feel very honoured to be a judge (wig or no wig), and I already know I’m going to be humbled by the quality of the stories.

Without more ado, here are some insights into what Segora is all about. First, you’ll find the facts about the short story competition – there are also vignette, poetry and one act play sections in the competition. Then there’s a Q&A interview with Jocelyn and Gordon Simms. And finally I’ve added tips from some of the previous short story judges, who kindly agreed to contribute. Thanks very much to Amanda Hodgkinson, Emma Curtis and Clare Le May. You are stars!

The Bare Bare Facts (no photos please)

Salle du Jardin du Cloître (presentation evening)

Length: 1500-3000 words

Closing Date: 15 June 2018

Entry fee: £7 per story

Prizes: 1st £300; 2nd £50; 3rd £30

Presentation evening in France

All proceeds go to the charity Médecins Sans Frontières

Please see the website for full rules and lots more details, including a photo of a fine young man masquerading as Gordon.


Q&A interview with organisers Jocelyn & Gordon Simms

How did you discover my cunning plan?

Jocelyn, what inspired you to launch the Segora competitions in 2007?

Well it was around my 60th birthday when I said wouldn’t it be fun to have a website and launch a poetry competition? Gordon was somewhat dubious about my idea (a worrying trait I have noticed over the last 40 years) but I persuaded him that it was a nice thing to do as he had won lots of poetry competitions and it might help other poets to get published. In those days there weren’t so many competitions for writers. We decided to encourage the art of short story writing at the same time.

Why ‘Segora’?

Segora is the Roman name of St Clémentin, the village where we lived. It was rumoured to be a lost Roman city, a crossroad where the routes between Nantes/Poitiers and Angers/Saintes intersected. Indeed, Roman remains have been found there. I liked the sound of it on my tongue and it already presented a mystery (no bad thing for writers).

Can you tell us a little about previous short story winners?

Our first short story judge was Dr Phoebe Lambert, a very close friend and former head of an FE college. I clearly remember reading the winning story in bed one night. It was by Graham Minett. I was so pleased it was chosen. It is still for me one of the most sensitive and memorable stories we have ever received.

Later we asked Graham to judge the competition and he chose Emma Curtis. Both of them are now flourishing authors and it is really a great pleasure to think that winning the Segora competition was instrumental in their decision to become full-time writers. Emma has won the competition twice with beautifully constructed, unusual stories spiced with a touch of menace.

A finalist, Claire Adam, was so delighted with her prize cheque she decided to frame it for the purpose of inspiration. She is soon to be published by Faber. Another Segora entrant, Bruce Harris, has recently had a collection of short stories, Odds Against, published by Earlyworks Press.

And what are your favourite, least favourite and most memorable parts?

One of the nicest aspects of running an International competition is contact with people from different countries. One of the worst aspects is trying to explain the rules. A particularly memorable occasion was one of our presentation days, which we included in the St. Clémentin Litfest, with three judges and half-a-dozen prize-winners in attendance.

Any new projects in view?

Now we live in St André-sur-Sèvre, where we held a Segora presentation day last year – a most enjoyable event which will be repeated in 2018. Our commitment to creativity has not gone unnoticed and this year we are involved in putting on a mini festival alongside a painting exhibition taking place during the weekend 21/22 April in St André. Once again the love of words, language and culture unites people. It is our currency!


Jocelyn and Gordon are kind and inspirational as well as being superb writers (they also have good taste in judges). Please support them and Médecins Sans Frontières by entering their poetry, play, vignette or short story competitions.

Facebook page and Website


Tips from Past Judges

Clare Le May was runner up in 2012 with Missing Persons, which appears in her collection Twisting Tales, published by Webvivant Press :

“It was a privilege to be a judge, and I enjoyed the exposure to such a huge range of writing styles. What made some stories stand out more than others included an interesting choice of theme, an intriguing twist and evocative writing, sometimes all three. But it was difficult to rank one above another, like asking if an impressionist painting is better than a classical. In the end I chose the stories that seemed to be uncovering a truth, leaving me with something of value, that in some way, however small, had changed the way I thought about the world.”

Emma Curtis is published by Transworld and is the author of two psychological thrillers: One Little Mistake and When I Find You. Twitter: @emmacurtisbooks  Instagram: @emmacurtisauthor :

“It was a huge honour to be asked to judge the Segora Short Story Competition in 2017, and so interesting to be on the other side of the fence.  Judging is an instinctive task, as well as an academic one, but story should always come first.  Having said that, a writer needs skill to chip something beautiful out of a block of words and grammar. Their story must be compelling; it has to shine. Once I had my shortlist, I went back to how each entry made me feel. It was a balance between the tangible: voice, narrative arc, pacing, style, etc. and what the story-teller in me was drawn to.  In the end, as well as First, Second and Third, I awarded two Highly-Commended and two Commended.  I know from experience exactly how much any placing means to an aspiring writer.”

Amanda Hodgkinson is the award-winning internationally bestselling author of 22 Britannia Road and Spilt Milk, and novella Tin Town in the anthology Grand Central. Her novels have been translated into 16 languages and have won and been nominated for literary prizes in Europe and in the UK. Amanda holds an MA and a PhD in Creative Writing and teaches Creative Writing at the University of Suffolk in England:

“It’s a great honour to judge a short story competition and a serious undertaking too. But overall, what an absolute pleasure to be the one who can choose the winner. And how does a judge choose a winner? For me, I look for stories that stay with me. I want to find the story whose characters are still in my head long after I have finished reading. I wager that if asked, all short story judges will tell you this too. It will be the story you want to discuss with other people. You might even feel like you want to press copies of the winning story into the hands of friends and family, saying, ‘You mustread this.’ For me, that desire to share what you have read with others is the mark of a really good piece of writing. Fiction is such a powerful way of communicating between ourselves and connecting in endless ways with the world. Really, I believe that short story competitions are vital to writers and readers. Long may they continue!”

(I was lucky enough to go to one of Amanda’s talks, and you can see my blog post about it here.)

The End (well done, you made it to the bottom of the page)

I will of course be applying all the above advice when June arrives and it’s my turn to judge. In the meantime, happy writing and thank you for reading this long, long post.

And, once again, here are the Segora Facebook page and Website

One Year On

A year ago my life changed. That sounds a bit dramatic, so let me explain: last January, the 9th, to be exact, my debut novel Tree Magic was published by the lovely team at Impress Books.

I instantly became a best-selling author and am now rich, famous and respected, with my work translated into 35 languages.

OK, I may be exaggerating (slightly – you know me). But my life did change in many unexpected ways, most of which were positive, so I thought I’d brighten up this dull January day with a post to remind myself what a wonderful year 2017 was for the writer in me.

I won’t dwell on how it felt to become published: you can read about this in my post here, if you’re interested. Suffice to say I was overjoyed. What I am going to tell you about are all the unexpected spin-offs that came from being a published author.

The scariest part of 2017 was turning from a writing hermit into a public figure. I was invited to speak on the local radio, where I ended up doing 3 shows because the interviewer was interested in short stories as well as in Tree Magic. I was horribly nervous beforehand, but doing it made me realise that I could overcome my fear of not knowing what to say.

It also gave me more confidence for my talks at Le Kairn bookshop in the Pyrenees, the Angers English library, the Charroux bilingual literary festival and the Segora competition presentation day.

OK, I was just as nervous beforehand, but I discovered that once I was standing in front of the audience, everything was fine. People are so friendly and ready to laugh! Each talk I gave was a little different, but the theme – the lessons I learnt along my route to publication – remained the same.

More enjoyable than the talks was the workshop I gave on writing for Young Adults (YA). Despite my threats of nasty punishments, the participants seemed to enjoy it.

In July, I was invited to speak on a panel at the Young Adult Literature Convention (YALC) at the Olympia in London. With a microphone. This was the most difficult public event for me, the only one I was paid for, and the one at which I learnt the most.

It was at the Olympia that I learnt what a Green Room was. The email from the organisers told me to go to there on arrival, but when I looked around the exhibition floor the Green Room was nowhere to be found. I ended up at the information desk, where the girls explained that it’s a code name for the private room where the authors can relax away from the crushing crowds of fans (not that anyone actually had this particular problem). How silly did I feel?

The highlight from YALC, apart from meeting lots of interesting authors, bloggers, agents and publicists, was helping out at the Waterstones cash desk. I received some strange looks at first, when I had to peer at the unfamiliar British coins people gave me. I was so chuffed when I actually sold my own book to a stranger.

I could say that YALC disillusioned me too. It was here that I realised that getting published was not the height of success. It was simply the opening of a door into the professional side of the book world. Publishing is a business. Like in any business, the focus is on the commercial aspect of the product rather than on the artistic love of playing with words and structure.

Tree Magic received some amazing reviews. It was a real boost to read these and know that someone had ‘got’ your message.

But my favourites were the emails, photos and private messages I received from readers to whom Tree Magic meant something special. I also loved hearing people’s stories about trees when they came to get their books signed. I could write a book from all those anecdotes!

The highlight of my year was an invitation to do a writing residency in the Pyrenees, the place where my current novel is set. I found the perfect balance between writing, researching, blogging about the residency and being introduced to interesting people. I was so sad to leave, and my return to everyday life was difficult.

It was from reading those writing residency posts that an editor from the Writers & Artists Yearbook contacted me and asked me to write a piece for their 35 000 newsletter readers. I was so flattered! You can read my piece here.

2017 was my first foray into video too. Popular Facebook vlogger / teacher, Doreen Doily, featured Tree Magic on one of her video posts, and I even attempted a vlog myself.

Perhaps it was my publisher’s pity at seeing me play with pretend-books that led them to announce soon after the publication of the ebook that they had decided to print a paperback version too. That was a champagne moment.

It led to publicity campaigns, such as Books on the Underground, and invitations for guest blogs. I started to take part in Twitter chat shows, such as the convivial #SundayYA, which is fun and informative. My publicist also told me it made my book eligible for prizes.

Prizes: my naïve eyes were opened here too. Prizes are a marketing tool, and I was shocked to see how much publishers have to pay to take part. I soon learnt that to be eligible for many prizes, you have to live in the UK (and have your book distributed to Waterstones). Which I don’t. It’s a real disadvantage for an author to live outside the UK because you can’t take part in panels and book launches so easily either. I now understand why literary agents have rejected me for this very reason.

The proudest moment of the year had to be the shortlisting of my story Big Bones in the coveted Bath Short Story Award and its inclusion in their anthology. I had great fun at the launch evening, where I discovered the amazing Mr B’s bookshop in Bath. It’s like a dream home, with floor to ceiling bookshelves in every room. Talking of short story publications, my Segora prizewinning short story from 2016, Quark Soup, was also published in the French Literary Review.

I’m sure there were missed opportunities during the year. I met my dream agent, one who loves nature and wildlife, only to hear him tell me that he wished I’d sent him the manuscript for Tree Magic before it was published, as it was exactly the kind of book he liked. I also met the CEO of The Woodland Trust at a book talk, just as I had to leave the event.

Of course there were negative sides to the year, not least of which was that I was exhausted by November. In addition, I struggled with Twitter. No matter how happy you are, when you see other people’s successes you can feel inadequate and even dissatisfied. Success is ethereal, and your life-changing news is forgotten within hours of it being announced. This has been a lesson to me, one I often remind myself about.

People tell you not to give up your day job when you’re an author. I would second this. In fact, I may have to find an extra job to pay for all the travel and accommodation expenses I’ve run up through taking part in events!

My first year as a published author may be over, but the spin-offs are continuing into 2018. For example, a French high school has decided to study Tree Magic, so I will be working with a class of 36 teenagers. I have been invited to judge a short story competition and lead a tree-themed writing workshop in France; and I may be participating at some literary and tree events in the UK this summer.

Most importantly, I am back at my desk, hiding in the safety of my house and writing my next novel. Writing may be less dazzling than publicity, but it’s the part I love, the part that makes me laugh and cry on a daily basis. If 2018 brings nothing but a year of writing, I will still count myself lucky.

Books in Mr B’s Bath

If you’re a regular reader of this blog, you may remember my excitement back in July when my story ‘Big Bones’ was shortlisted for the coveted Bath Short Story Award. I mentioned this in the ‘Other News‘ tab above (which I update regularly with events unrelated to Tree Magic).

18 out of the 1100 entries In the BSSA were shortlisted, and I’m proud to say that these stories have now been published as an anthology. You can see it in the photo and buy it here.

My prize (to myself) was a trip to Bath for the anthology launch party. You can read about it here on the Bath Short Story Award website  – or you can continue reading below for my version of the party. Actually, you can do both.

I haven’t flown anywhere for at least 5 years, so discovering how Ryanair now works, with all its restrictions and website defects, was, um, interesting? (meaning that I used lots of swear words). Luckily, the flights were fine, and I discovered the cheap and cheerful Park and Trip car park near Bordeaux airport, which was recommended by my friend Jane and is run by some friendly guys.

I also noticed how fast British travellers walk. I seem to walk much faster than French people in the streets. But I was outraced by the Brits in the airport queue. Has anyone else noticed this? I suppose they were keen to get home to their grey skies after being subjected to too many snails and oysters.

Did I say ‘grey skies’? Well, I actually had crisp, sunny weather for the whole 3-day trip. But I won’t bore you with weathery stuff. No, I have something exciting to talk about today.

Mr B’s Emporium of Reading Delights.

Anyone who knows this totally amazing bookshop in Bath will now have a smile on their face. Because. And I’m not just saying that because I found this when I arrived:

No. That was coincidental, and probably due to the efforts of my lovely publicist at Impress Books.

When you enter Mr B’s Emporium at 14-15 John Street, you feel as if you’re walking into someone’s  – a book lover’s – home. And this someone has a house worthy of your dreams. You’re not treated as a customer, but as a book-loving friend of the welcoming staff. Which, of course, you may well end up becoming!

It has a series of little rooms on three levels, and reminded me of Shakespeare and Company in Paris – though with its carpeted upstairs floors and well organised bookshelves, it is cosier and more British. I later noticed a poster on the wall stating that Mr B’s is twinned with Shakespeare & Co.

After explaining why I was taking photos, I signed Tree Magic and learnt that the staff have a project to collect authors’ signing pens and display them on the ceiling. This is just one of the ideas that show how invested the staff are in their ‘home’. They also sell gifts, including a Reading Spa: a kind of bibliotherapy in which your ‘therapist’ will recommend books to suit your tastes. This would make a perfect gift for a friend (*clears throat* in case family / friends are reading this).

Mr B’s bookshop was the venue for the BSSA launch party, and when I returned for this in the evening, I was welcomed by the award organisers: Jude Higgins, Jane Riekemann and Anna Schlesinger. They are authors in their own right, as are many of the competition entry readers.

It was, of course, wonderful to meet the other authors, some of whose names were familiar from other competition shortlists. Once we’d done the scary reading from our stories, many of us went to the pub around the corner, where we spent a great evening discussing writing and reading. I met another Jon McGregor fan, found a lady who has a house only 20 mins from me, and discovered someone’s daughter had read Tree Magic and loved it.

Many thanks to everyone involved in the event, especially Jude, Jane and Anna for their dedication. And thanks to Chris and Anita for photos.

If you’d like to read the amazing stories in the anthology (I still can’t quite believe mine is there alongside such jewels), you can find it in Mr B’s bookshop and here on the BSSA website.  And they have just opened entries for the 2018 edition of the Bath Short Story Award, judged once again by Euan Thorneycroft from the AM Heath Literary Agency.

Now the literary fun and games of the last few months are over, I can get on with my exciting new project… You may not hear from me for a while.


Competition for National Tree Week

It’s National Tree Week in the UK from 25th November to 3rd December. This initiative is run by The Tree Council, who are organising lots of tree events all over the UK.

My publisher, Impress Books, has added its support and is holding a Tree Magic competition via the Love Books Group blog. There will be prizes!

Check out Love Books Twitter account here to find out more tomorrow, 25th November. The competition will run until Sunday 3rd December 2017.

Good luck!