Category Archives: Tree Magic

Books in Mr B’s Bath

If you’re a regular reader of this blog, you may remember my excitement back in July when my story ‘Big Bones’ was shortlisted for the coveted Bath Short Story Award. I mentioned this in the ‘Other News‘ tab above (which I update regularly with events unrelated to Tree Magic).

18 out of the 1100 entries In the BSSA were shortlisted, and I’m proud to say that these stories have now been published as an anthology. You can see it in the photo and buy it here.

My prize (to myself) was a trip to Bath for the anthology launch party. You can read about it here on the Bath Short Story Award website  – or you can continue reading below for my version of the party. Actually, you can do both.

I haven’t flown anywhere for at least 5 years, so discovering how Ryanair now works, with all its restrictions and website defects, was, um, interesting? (meaning that I used lots of swear words). Luckily, the flights were fine, and I discovered the cheap and cheerful Park and Trip car park near Bordeaux airport, which was recommended by my friend Jane and is run by some friendly guys.

I also noticed how fast British travellers walk. I seem to walk much faster than French people in the streets. But I was outraced by the Brits in the airport queue. Has anyone else noticed this? I suppose they were keen to get home to their grey skies after being subjected to too many snails and oysters.

Did I say ‘grey skies’? Well, I actually had crisp, sunny weather for the whole 3-day trip. But I won’t bore you with weathery stuff. No, I have something exciting to talk about today.

Mr B’s Emporium of Reading Delights.

Anyone who knows this totally amazing bookshop in Bath will now have a smile on their face. Because. And I’m not just saying that because I found this when I arrived:

No. That was coincidental, and probably due to the efforts of my lovely publicist at Impress Books.

When you enter Mr B’s Emporium at 14-15 John Street, you feel as if you’re walking into someone’s  – a book lover’s – home. And this someone has a house worthy of your dreams. You’re not treated as a customer, but as a book-loving friend of the welcoming staff. Which, of course, you may well end up becoming!

It has a series of little rooms on three levels, and reminded me of Shakespeare and Company in Paris – though with its carpeted upstairs floors and well organised bookshelves, it is cosier and more British. I later noticed a poster on the wall stating that Mr B’s is twinned with Shakespeare & Co.

After explaining why I was taking photos, I signed Tree Magic and learnt that the staff have a project to collect authors’ signing pens and display them on the ceiling. This is just one of the ideas that show how invested the staff are in their ‘home’. They also sell gifts, including a Reading Spa: a kind of bibliotherapy in which your ‘therapist’ will recommend books to suit your tastes. This would make a perfect gift for a friend (*clears throat* in case family / friends are reading this).

Mr B’s bookshop was the venue for the BSSA launch party, and when I returned for this in the evening, I was welcomed by the award organisers: Jude Higgins, Jane Riekemann and Anna Schlesinger. They are authors in their own right, as are many of the competition entry readers.

It was, of course, wonderful to meet the other authors, some of whose names were familiar from other competition shortlists. Once we’d done the scary reading from our stories, many of us went to the pub around the corner, where we spent a great evening discussing writing and reading. I met another Jon McGregor fan, found a lady who has a house only 20 mins from me, and discovered someone’s daughter had read Tree Magic and loved it.

Many thanks to everyone involved in the event, especially Jude, Jane and Anna for their dedication. And thanks to Chris and Anita for photos.

If you’d like to read the amazing stories in the anthology (I still can’t quite believe mine is there alongside such jewels), you can find it in Mr B’s bookshop and here on the BSSA website.  And they have just opened entries for the 2018 edition of the Bath Short Story Award, judged once again by Euan Thorneycroft from the AM Heath Literary Agency.

Now the literary fun and games of the last few months are over, I can get on with my exciting new project… You may not hear from me for a while.

 

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Joining the Dots

(A wrap-up of the 2017 Charroux Literary Festival):

Have you ever been to a series of unrelated performances and found that a common theme emerges?

This is exactly what happened at this year’s Charroux Literary Festival, and I wasn’t the only one to notice an intangible thread weaving through the author talks. See if you can spot it from my summary below.

So, for this second edition of the Charroux festival I was a speaking author, which meant I was invited to the pre-festival dinner (ah, the joys of fame!).

I was so excited about meeting everyone that I arrived a few hours early and had plenty of time to walk around the medieval village. This included discovering the fascinating abbey ruins where I dawdled among the spirits of times past.

I also came across the house where French writer Robert Charroux lived, and learnt that he was a pioneer in Ancient Astronaut theories: the pseudoscientific theories that suggest aliens visited Earth in antiquity and prehistoric times.

I knew I wouldn’t have a spare minute for contemplation once the festival began – and I was right. Even without the festival, Charroux is a superb destination for a day’s exploration (and I’m not just referring to the pub that has Guinness on tap).

During the 3 days, I went to 4 talks involving historical authors Barbara Erskine, Tracey Warr, Alison Morton (Roma Nova) and James Vance (World War II). I’ve never been tempted to write historical fiction because I know nothing about history and would be afraid of getting everything wrong. But the discussions I heard helped me understand why writing historical fiction can be so alluring.

For Tracey and Barbara, who write about the medieval period, there is very little documentation. We know what the historical figures did but we don’t know why they did it and how they felt about it.

This means that joining the dots to create a picture of events leaves plenty of room for imagination – which is exactly what novelists like to explore: in other words, the ‘unknowability’ of the past, as Tracey quoted.

Even the facts themselves can be dubious: there isn’t just one story about what happened, there are many stories – and bards and pilgrims played a role in this as they passed on news orally. The difference between Welsh and English records for the same events are a good example of this.

All four authors talked about being conscious of the past when they visit historical places, as well as the importance of imagining their characters going about their daily life in those places. Barbara added that it’s as if the past is trying to get through to the present, an idea she explores fully in the ghostly elements of her fiction.

Nick Inman, author of Mystical France, talked about the idea of science being able to explain how mystical symbols and sculptures were created, but not being able to explain why it was done. He suggested using your intuition when you visit ancient places to try to find your own answers.

He has done this over the last five years, and he captivated his audience with the slideshow of mystical symbols and sculptures he has collected during his travels around France. No wonder so many people surged forward to buy his book after his talk.

Not quite so many people rushed to buy Tree Magic after my session about the road to publication, even though a major theme is how science can’t explain certain spiritual aspects of life. I guess I have some lessons to learn from Nick Inman there. But I did sign plenty of copies and get some great feedback – and nobody actually fell asleep.

The talk that created the most discussion was Mike Welham’s presentation about mixing fact and fiction. His novels are based on events that have never been satisfactorily explained; for his chosen themes, he has researched and summed up all the mysterious inconsistencies to suggest huge cover-up operations, which he has published as fiction.

He presented his conspiracy theories about frogman Buster Crabb, The World Trade Center Building 7 and David Kelly’s death. We were lucky to have Andrew Lownie, an author who has spent decades researching Guy Burgess, in the audience, as well as TV and Foreign Office specialist Jane Lythell. Their points of view as experienced researchers added to the charged atmosphere during the session.

The common thread (have you spotted it yet?) didn’t reach all the creaky-floored rooms of the Maison Charlois during the festival, as the sessions on the craft of writing had nothing mystical about them (although you could argue that the whole writing process is rather mysterious).

photo by Jacqui from French Village Diaries

This category of talks included a useful analysis of humour with Chuck Grieve; a detailed session on playwriting with Gordon & Jocelyn Simms; an exploration of character and an insight into psychological thrillers with Jane Lythell (what a lovely lady); and workshops with Vanessa Couchman.

I talked about writing for Young Adults and persuaded my audience to wield their pens – which produced some promising beginnings.

There was also a New Writers Workshop, chaired by Susie Kelly and including Jane Lythell, myself, Alison Morton and Blackbird publisher and author Stephanie Zia. This was an interactive event in which we all gave our advice for new writers and then circulated among groups to answer questions.

The author talks are, of course, central to the festival and I wish I’d been able to find a Harry Potter time turner so I could attend them all – both French and English. But they were far from being the only element to the three magical days in Charroux. The other elements came from the festival supporters.

There’s nothing like having a drink or a meal with other festival-goers; or having a laugh with the lovely ladies of the Hope Association tea tent, who delivered a constant supply of drinks, English food and good humour. Cheerful volunteers were everywhere, from the helpful people at the reception desk, in the bookshop and at the Enfants de la Rue charity stand, to the behind-the-scenes drivers and hosts. It was great to see so many familiar faces and make new friends.

But my biggest thanks have to go to Kate and Chris, the festival organisers, who made this all possible. Did they create the mystical thread on purpose, or is it just in my head?

photo by Tracey Warr

Charroux 2019 seems a long way away. Luckily, we have the 2017 edition of another intimate literary festival full of interesting people in October: Parisot. Perhaps I’ll see you there?

Teen Time at YALC

If your teenager likes reading, he/she may surprise you with a request to go to the YALC at the London Olympia one July.

When this happens, say ‘Yes’. And if you like reading or writing, make sure you go along with him/her, because the Young Adult Literature Convention (yes, that’s what YALC stands for) is the highlight of the bookish YA year.

Put a booky teenager in a group of other teens and they’ll generally be shy and feel nerdy. But leave your teen at YALC and they’ll be in heaven.

Imagine a giant library with carpeted floors and cushions. Instead of library books, you have brightly decorated YA publisher stands giving away free samples of forthcoming novels, free proofs of yet-to-be-published books, postcards, bookmarks, badges, tote bags and lots more goodies. And as well as librarians, you have 100 authors, all mingling with their teenage readers and chatting to them during hours of book signings.

If you happen to be a budding writer, you can go to writing workshops, publishing talks and agent 1-2-1s, which are all included in the ticket price. Best of all, there are nonstop panels of authors talking about their work and discussing common themes.

I was lucky enough to be one of the authors invited to speak at this year’s YALC. As a newbie author, I was on a New Voices panel, which gave me free, 3-day access to the book bonanza – as well as a pass to see Benedict Cumberbatch, John Cleese, Pamela Anderson and Christopher Lloyd and lots of other film stars featuring in the Film and Comic part of the convention on the lower floors.

But I didn’t bother with famous filmstars in the crush of Cosplay fans. I was far too busy upstairs in the comfort of the bookish world.

To begin with I felt a little lonely as I watched the joyful reunions of authors from the UK, US and Ireland. But that all changed when my publicist arrived and took me to meet the wonderful YA book bloggers I’ve been chatting with on #SundayYA for the last 6 months.

photo Kelly

The most inspiring event for me was a panel with Sarah Crossan and Brian Conaghan, the co-writers of one of my favourite YA books, ‘We Come Apart‘. Did you know they co-wrote this verse novel while living in different countries? Listening to them talk about their approach to writing made me want to pull out my notebook there and then.

I instantly warmed to Patrick Ness, interviewed by Juno Dawson, because of the way he cares for teenagers. And I was encouraged to learn that Laini Taylor works in much the same way as me.

But the most amazing person there was without doubt Katherine (Katie) Webber, author of ‘Wing Jones‘ and chair of many panels. Her fun, efficient and friendly chairing largely set the tone for the whole event.

I didn’t actually do any work until my panel on Sunday morning – actually, that’s a lie: the hardest job of the weekend was helping out at the bookselling stand.

The brave Waterstones booksellers let me press buttons on the cashtill, scan books, swipe loyalty cards and stamp points cards for an hour.

It was really difficult! Don’t underestimate the concentration your booksellers need when they sell you a book. Luckily the YALC clients were patient, and the best moment was when I took payment for a copy of my very own ‘Tree Magic’.

Many of the non-teen audience were YA writers, and I joined them in several workshops – including a useful talk by literary agent Ben Illis and a meeting with Chloe Seager, both of whom were interested in my work.

photo by Steph

At last, Sunday morning arrived and, with a thudding heart, I joined the other 10 debut authors on stage. This was a huge number to manage, but Katherine Webber was more than equal to the task. I had read most of their books before YALC, so it was fascinating to listen to their experience of getting published.

The 2-hour slot for signing was hardly long enough to sign the, um, handful of copies put into my hands.

This is not really surprising, as I believe it’s as difficult for small publishers to get books placed in WHSmith and Waterstones as it is for writers to find an agent.

Anyway, I had lots of interest following my talk, and the signing quickly became a highlight of the weekend when the lovely Kelly from Kelly’s Ramblings gave me a packet of my favourite chocolates (Cadbury’s Boost, since you ask).

After 3 days of fangirling and being fangirled (well, a nice young lady did say, ‘Are you Harriet?’ when I sat in the empty chair beside her. That counts, doesn’t it?) it was time to leave the friendly faces.

Many thanks to the YALC team, to my friend Hester for hosting me and my publicist for organising the tickets.

Find out more about YALC from bloggers Kelly, Steph, Ellie, Bex and Cora.

Extraordinary Ellia:

Harriet thought she’d died in the accident. She was standing in a French library full of English books, and French libraries normally have just one English shelf. A heaven full of books seemed fitting to Harriet, though misfortune had placed the library in Angers, a four-hour drive from Harriet’s home.

I pinched myself and realised I hadn’t died. I wasn’t dreaming. This wasn’t heaven – and in any case I hadn’t had an accident (unless you count what happened in Angers’ English sweetshop, but that’s another story).

If you’re confused here, just read the beginning of Tree Magic, which is free to ‘look inside’ on the Amazon ebook page, and everything will become clear. Ish. Well, it may sound vaguely familiar.

Anyway, back to the library: when I met Phoebe at the St.Clémentin literary festival last year and she told me she worked in an English-Language library in Angers, I imagined a cosy little nook squeezed between two houses in a back street.

So when she invited me to talk to the library coffee morning group about my novel Tree Magic, I presumed the audience would be a handful of people huddled between bookcases.

I couldn’t have been more wrong.

Let me begin by telling you about this amazing library, which is a non-profit organisation called Ellia (an acronym for ‘English Language Library In Angers’, since you were about to ask).

It has 30 000 English books, 4 staff, 1600 members and 100 volunteers – making it the biggest English language library in the west of France. There’s a catalogue on the website so you can check if the book you want is there before you drive to Angers, and you can even borrow ebooks to download onto your e-reader.

But the library is far more than a series of numbers and a list of services. If you’ve read my blog posts about Le Kairn, the brand new bookshop in the Val d’Azun, you’ll know that I talked about how I believed it would soon become a hub for cultural activities.

Well, the 23-year-old Ellia library is exactly that: a community hub. It’s a meeting place for English speakers who love books, of course, but also a base for a diverse range of activities ranging from French conversation groups and English creative writing circles to gardening, knitting and film clubs.

Phoebe

What has made it so popular, in my opinion, is the warmth of the welcome that visitors receive. While I was having coffee with Phoebe (you get a bottomless cup of tea or coffee for a euro), she greeted the people who wandered in and chatted with each of them.

It’s hardly surprising there are so many volunteers – some of whom I met as they sat around a table covering books with plastic. The other staff and interns – including Mandy, Sandrine, Oksana and Dominique – are just as friendly. There’s absolutely no reason to feel lonely if you live in or near Angers and like books.

Half of Ellia’s funding comes from a combination of City Hall, the two Angers universities (students receive free membership) and Maine-et-Loire county council. The rest is made up from membership fees and fundraising events.

An example of an event is the food stand they’ll be manning at the street theatre festival Les Accroche-coeurs on 8-10 September. The festival’s 2017 theme is ‘So British’, which means discussions at Ellia are currently underway to decide on the most suitable British dish to serve.

If you have any ideas (please, no Marmite or jelly), let me know and I’ll pass them on.

Now you know a little about Ellia, you can appreciate how it was that over 30 people came to listen to my Tree Magic talk. (I stopped counting at 30, as they were looking expectantly at me and I thought I’d better begin).

It’s always scary to stand up in front of people and talk, so I was relieved when it was over. My relief, however, was short-lived.

‘Do you mind if Isma interviews you?’ Phoebe asked me.

‘Not at all,’ I said. ‘It won’t be filmed or anything, will it?’

There was a silence.

Silly me… This was the point at which I discovered that the computery stuff on the shelf was actually filming me for the whole talk. Which means that those scandalous secrets I accidentally revealed…

I sat in the armchair beside Isma and did my best to answer questions that were only difficult because I had to answer them on the spot.

It was decidedly worse that the radio interviews I did when Tree Magic was first published.

Am I the only person whose mind goes maddeningly blank when I’m asked questions in front of a recording device?

The best part of doing author talks is that you meet so many interesting people afterwards. I had a great chat with William, one Anne Woodford’s writing group members.

Anne is a talented writer whom I also met at St. Clémentin. Her short story was placed 2nd in the 2016 Segora International Writing Competition, run by the St.Clémentin festival organisers, and you can read it here (you’ll have to scroll down a little).

I had some lovely feedback about how people felt inspired to go off and write after my talk. Some people even bought a copy of Tree Magic!

If you have a chance to visit the lovely city of Angers, pop into the library. You’ll see exactly what I mean about Ellia being extraordinary.

 

 

 

 

 

Hide and Seek with Bears and Boys

Writing Residency Day 9 (last day *sobs*):

I understand now why mountainy people get up early:

1st photo: from my room at 7:30 am.

2nd photo: from the office window 7:35 am.

3rd photo: from my room again at 7:45 am.

So what does a writer do on the last day of a writing residency at Arras-en-Lavedan?

Easy: instead of doing one research trek, the keen writer does two. Especially when it’s so misty that there is zero visibility at the top of the mountain.

The first trek took me to the Col d’Arras, where I was sure I’d be able to find a path onto what looked like summer pastures under the Pic d’Arragnat. I wanted to know whether Eole, my protagonist, was hanging around up there.

Perhaps he was. But with heavy bracken vegetation and little grass, I didn’t think it was likely. OK, I admit I wasn’t very persistent. Nor would you be if you heard a kind of growly-barky roar in the bushes and you were very much alone on the mountain.

I hot-footed it back down the non-path, got lost, panicked, struggled over a barbed wire fence and landed on my butt in the mud. I felt much better on the other side of the fence, despite the ripped trousers, and even a bit silly. After all, I could easily have defended myself with my swiss army knife. Couldn’t I? That’s what the bloke in the shop said, anyway.

(Don’t tell my sisters about this: they already split their sides laughing the time, aged 10, I was chased by a herd of cows and ended up clinging to a pole in the middle of a field).

As I write this, I’m listening to brown bear noises on Youtube, and I must admit that the noise is exactly what I heard. Though I guess that’s like looking up illnesses on the Internet to check your symptoms.

On the subject of bears in the Pyrenees, the original race of Pyrenean brown bear died out and Slovenian brown bears were introduced in the 1990s. In 2016 there were 39 bears, of which 2 in – omigod – this area… perhaps its just as well I’m leaving tomorrow! And, reading on through my informative source, if you come face-to-face with a bear you should retreat progressively. Not panic and run. Oh dear.

My Col d’Arras mission had aborted but, happily unaware of the real possibility of meeting a bear, I decided to attack the mountain from further along. There was definitely a path from Arcizans-Dessus up to the Col de Liar, and it passed straight through the said pastures.

Arcizans-Dessus is a tiny village that hugs the flank of a mountain – and boasts 22 watermills. Here are a few of them, lining the Anisaous stream and looking like a Pyrenean version of a housing estate. Some of the cute mills have been restored as cottages, while one serves as a demonstration mill.

The photo below resumes my morning’s research.

It took me an hour and a half of walking up steep z-bends to reach the silent, deserted Col de Liar. I did hear the eerie ring of bells through the mist on my way up, and there was a cold bonfire spot in the flat land at the top – but there was no sign of Eole and his sheep.

At least I determined that what looked like lush green pastureland from a distance was actually bracken (animals don’t eat bracken), so I guess that’s why this land isn’t grazed.

Coming back down, I was struck by a change in the mist. High up, its cold fingers creep down your back, soak your hair and drip dewdrops onto your eyelashes. But lower down it feels warm and steamy, like a Turkish bath, and the sappy, green tang of bracken gives way to the sweet aroma of elderflower. I’ve never experienced this with mist before – so my morning wasn’t a total waste of time, after all.

Back in the village I visited the church (Eole’s mum is dead religious) and found this guy sitting outside looking at MY mountain. He was made by Pedro Frémy, who also made the village carousel I mentioned in Day 6’s post as well as the other metal beasties around the Maison des Arts. Cute, eh?

Finally, I went to Le Kairn for my 5pm talk about my novel Tree Magic. Once again, I had to struggle through the crowd to get inside (actually, there was a crowd, but they weren’t interested in me).

It was lovely to catch up with my Lumineuse writing group friend Min, and I was delighted to see Bob from Laguépie, who I met at the Parisot Festilitt last year, and who had driven for 5 hours to see me.

Maybe they’d heard I’d be serving Pineau after the talk?

Pineau is the traditional aperitif in the Cognac area, and I’d brought a bottle for a farewell drink with all the lovely people who have hosted and befriended me this week: Françoise Gourvès, stained-glass artist extraordinaire and also my host at the Maison des Arts; multi-talented Karine from Le Kairn; Dominique Gainza with the strong, cheese-stirring arm muscles from the Val d’Azun sheep&goat farm; and Véronique the costume queen.

Many thanks to you all, and also to those who couldn’t make it: Alex from the mairie & Maison des Arts, Pascal Gainza, Valentine from Le Kairn, Caroline the costume-maker, Charles the Mayor and all the individuals who answered my (sometimes strange) questions.

And thanks to you who have followed these writing residency blog posts and those of you who came to my talks.

I’ll calm down now, and go back to my monthly posting habit.

Bye-bye, Arras-en-Lavedan. I’ll be back to say hello (with more bottles of Pineau) before too long.

YALC 2017

I feel very honoured (to put it mildly) because I have been invited to talk about Tree Magic at the Young Adult Literature Convention (YALC) at the Olympia, London, in July.

Yes, that’s right: The Olympia! London!

This 3-day festival brings together the finest current YA fiction, with talks from best-selling authors such as Patrick Ness, Joanne Harris, Sara Barnard, Holly Bourne, Emily Barr and many others.

Check out this link to see the full list of authors attending.

I’m going to have such fun meeting these authors, as well as the book bloggers and readers I’ve only met virtually on Twitter chat shows and blogs. When  the schedule is published, I will let you know so that you can come and meet them too.

YALC is part of the London Film and Comic Convention, and the dates are 28, 29 and 30 July 2017. You’ll find more details on Twitter at @yalc_uk and on the website here.

Thanks very much to Sarah, my publicist at Impress Books, for organising this. She must have been very persuasive!

Will it Get my Goat?

Oh no, here I am, back with more puns in my blog post titles. Today I’d like to share some exciting news that doesn’t get my goat at all – though I’m hoping it will allow me to get to know goats better.

I have been invited to be the writer-in-residence for a week at an arts centre in the heart of the Pyrenees.

In case your French geography is rusty, the Pyrenees are the pointy mountains in the south west of France, between France and Spain. They are also my favourite part of the country, which may be one reason why my novel-in-progress is partly set there.

Back in the 1990s, when I was studying French at Pau university, I used to walk along the Boulevard des Pyrénées every day and gaze at the mysterious peaks. Nowadays, I spend some time there every year (and cry when I have to leave).

Houses in the Val d’Azun

One misty day last summer, while my intrepid family were out potholing, I went to the Val d’Azun to research my novel setting. I stopped at the village of Arras-en-Lavedan, a few kilometres from Argelès-Gazost (and 25km from Lourdes), which is renowned as being a village of artists.

There, I discovered the Maison des Arts and met the curator, Françoise Gourvès, who is also a stained glass artist. She told me all about the association Abbadiale, which organises the cultural events and art exhibitions in the centre.

There was a wonderful display of paintings, ceramics and sculptures, as well as a permanent outdoor circuit around the village’s works of art. I was blown away by a video of a contemporary dance group who spent a week in residence there and created a dance on a peak above Arras-en-Lavedan.

I stayed in contact with friendly Françoise and, when she heard I needed to come back to the Pyrenees to research goats and ewes, she invited me to be their writer-in-residence for a week. This corresponded with the opening of the village’s new bistro-bookshop: Le Kairn.

Of course, I accepted!

So I’ll be staying in Arras-en-Lavedan from Saturday 3rd to Friday 9th June. During the week I’ll be researching and writing my novel (which is not only about goats). I’m particularly looking forward to the ‘transhumance’ event on Saturday 3rd June at Estaing. This is when the local shepherds, accompanied by the public, move their flocks from the valley to the mountain tops for the summer ‘estivales’ period.

I’ll also be reading from my novel Tree Magic and giving a talk about the journey to publication. This will be held on Sunday 4th June at 3pm at Le Kairn. As I’m there for a week, I can also make myself available one evening for readings and writerly discussions – so let me know if you’re interested.

Why not come and meet me and get your copy of Tree Magic signed? I’ll have some copies to sell, and we can share our experiences of writing, reading (and goats).

While you’re in the Val d’Azun, why not make a day of it (or even a weekend if you fancy the transhumance festival on the Saturday)?

Yes, I know they’re not goats – but they are Pyrenean sheep.

In the morning you could visit the Pyrenean trekking and traditions festival ‘Eldorando’ in the nearby village of Arrens-Marsous. You could have a lunch of local products there – or come to Le Kairn bistro for a meal – and then visit the permanent and temporary exhibitions at the Maison des Arts. As well as the permanent exhibition, Roxane Lasserre will have her ceramics on display and Raphäel Paya is exhibiting his photos until 5th June.

Then, if you’re not too tired, you could come and meet me at Le Kairn. It won’t get my goat if, after all that activity, you fall asleep during my talk!

Please let me know if you’d like to come, via my Facebook author page or blog contact tab, in case the arrangements change. I hope to see you soon.

Here are some practical details:

La Maison des Arts (next to the church at the bottom of the village): open Thursday, Friday, Sunday and Monday from 3-6pm.

Le Kairn (route du Val d’Azun): open Friday, Saturday and Sunday from 11am to 7pm (open every day in the holidays).

Eldorando: 2nd-5th June. Nepal is the country of honour this year. Entry 2€ / day.

Tourist Office Val d’Azun (Place du Val d’Azun, Arrens-Marsous) Tel: 05 62 97 49 49